Saturday, October 11, 2025

American History Through Literature

The U.S. Constitution, and Washington's first term, began in the late 1780s, making the 1790s the first truly American decade. Here is one work of literature for each decade of America:

1790s "The Legend of Sleepy Hollow" by Washington Irving
1800s "The Fall of the House of Usher" by Edgar Alan Poe*
1810s "The Devil and Daniel Webster" by Stephen Vincent Benet
1820s Moby Dick by Herman Melville
1830s The Adventures of Huckleberry Finn by Mark Twain
1840s Blood Meridian by Cormac McCarthy
1850s Leaves of Grass by Walt Whitman
1860s The Red Badge of Courage by Stephen Crane
1870s Beloved by Toni Morrison
1880s Death Comes for the Archbishop by Willa Cather
1890s The Awakening by Kate Chopin
1900s Ragtime by E.L. Doctorow
1910s Main Street by Sinclair Lewis
1920s The Great Gatsby by F. Scott Fitzgerald
1930s All the King's Men by Robert Penn Warren
1940s Slaughterhouse Five by Kurt Vonnegut
1950s A Good Man is Hard to Find by Flannery O'Connor
1960s Play It as It Lays by Joan Didion
1970s The Things They Carried by Tim O'Brien
1980s White Noise by Don DeLillo
1990s The Corrections by Jonathan Franzen
2000s Averno by Louise Gluck
2010s Citizen: An American Lyric by Claudia Rankine

*The original story is seemingly set in England, but is often associated with New York. Also this is a really tough decade to find anything, so...

This is the only one I've not read, and am going on trust. Weirdly I've not really read any good American books set in the 1980s.

Wednesday, October 1, 2025

100 Movie Songs

Here’s a list: The best movie songs. To make it I put in two caveats: 1) It had to originate with a movie - I wanted to remove songs from Broadway musicals, but ended up removing far more than I imagined, because of it. (Did you know “Singin’ in the Rain” and “As Time Goes By” were originally from stage musicals?) 2) I only picked the best song per movie. Otherwise there’d be a whole slew from Disney movies, etc. Lastly, lyrical songs only, otherwise the lines get blurred with soundtracks. Without further ado:

  1. Over the Rainbow - The Wizard of Oz
  2. Moon River - Breakfast at Tiffany’s
  3. White Christmas - Holiday Inn
  4. Pure Imagination - Willy Wonka and the Chocolate Factory
  5. When You Wish Upon a Star - Pinocchio
  6. My Heart Will Go On - Titanic
  7. Mrs. Robinson - The Graduate
  8. When Doves Cry - Purple Rain
  9. You’re the One That I Want - Grease
  10. Let It Go - Frozen
  11. Stayin’ Alive - Saturday Night Fever
  12. The Circle of Life - The Lion King
  13. Superfly - Superfly
  14. Theme from New York, New York - New York, New York
  15. Jailhouse Rock - Jailhouse Rock
  16. See You Again - Furious 7
  17. Rainbow Connection - The Muppet Movie
  18. The Way You Look Tonight - Swing Time
  19. Up Where We Belong - An Officer and a Gentleman
  20. Have Yourself a Merry Little Christmas - Meet Me in St. Louis
  21. Lose Yourself - 8 Mile
  22. Eye of the Tiger - Rocky III
  23. I’ve Got You Under My Skin - Born to Dance
  24. 9 to 5 - 9 to 5
  25. Make ‘Em Laugh - Singin’ in the Rain
  26. Someday My Prince Will Come - Snow White and the Seven Dwarfs
  27. Happy - Despicable Me 2
  28. Remember Me - Coco
  29. Raindrops Keep Fallin’ on My Head - Butch Cassidy and the Sundance Kid
  30. Fame - Fame
  31. Theme from Shaft - Shaft
  32. Supercalifragilisticexpialidocious - Mary Poppins
  33. Let’s Call the Whole Thing Off - Shall We Dance
  34. Gonna Fly Now (Theme from Rocky) - Rocky
  35. Footloose - Footloose
  36. That’s Amore - The Caddy
  37. The Way We Were - The Way We Were
  38. (I’ve Had) The Time of My Life - Dirty Dancing
  39. Que Sera, Sera - The Man Who Knew Too Much
  40. Swinging on a Star - Going My Way
  41. On the Road Again - Honeysuckle Rose
  42. This Is Me - The Greatest Showman
  43. Call Me - American Gigolo
  44. Can’t Stop the Feeling! - Trolls
  45. You’ve Got a Friend in Me - Toy Story
  46. Gangsta’s Paradise - Dangerous Minds
  47. Suicide Is Painless - M*A*S*H
  48. Beauty and the Beast - Beauty and the Beast
  49. Don’t Worry, Be Happy - Cocktail
  50. Fight the Power - Do the Right Thing
  51. Shining Star - That’s the Way of the World
  52. The Harder They Come - The Harder They Come
  53. Sunflower - Spider-Man: Into the Spider-Verse
  54. A Whole New World - Aladdin
  55. On the Good Ship Lollipop - Bright Eyes
  56. High Hopes - A Hole in the Head
  57. I Believe I Can Fly - Space Jam
  58. Boogie Woogie Bugle Boy  - Buck Privates
  59. Skyfall - Skyfall
  60. The Ballad of High Noon - High Noon
  61. Flashdance… What a Feeling - Flashdance
  62. I Don’t Want to Miss a Thing - Armageddon
  63. Windmills of Your Mind - The Thomas Crown Affair
  64. Part of Your World - The Little Mermaid
  65. Live and Let Die - Live and Let Die
  66. Blues in the Night - Blues in the Night
  67. Don’t You (Forget About Me) - The Breakfast Club
  68. Hooray for Hollywood - Hollywood Hotel
  69. Springtime for Hitler - The Producers
  70. Come What May - Moulin Rouge!
  71. I’m Easy - Nashville
  72. Cheek to Cheek - Top Hat
  73. Ghostbusters - Ghostbusters
  74. Viva Las Vegas - Viva Las Vegas
  75. We Don’t Talk About Bruno - Encanto
  76. Take My Breath Away - Top Gun
  77. Golden - KPop Demon Hunters
  78. That Thing You Do! - That Thing You Do!
  79. If You Want to Sing Out, Sing Out - Harold and Maude
  80. Born Free - Born Free
  81. Days of Wine and Roses - Days of Wine and Roses
  82. Everything is Awesome! - The Lego Movie
  83. The Gold Diggers’ Song (We’re in the Money) - Gold Diggers of 1933
  84. Thanks for the Memory - The Big Broadcast of 1938
  85. The Man Who Got Away - A Star is Born (1954)
  86. Goldfinger - Goldfinger
  87. I’m Just Ken - Barbie
  88. Evergreen - A Star is Born (1976)
  89. Chattanooga Choo Choo - Sun Valley Serenade
  90. (We’re Off on the) Road to Morocco - Road to Morocco
  91. Once Upon a December - Anastasia
  92. Another Day of Sun - La La Land
  93. Buttons and Bows - The Paleface
  94. Streets of Philadelphia - Philadelphia
  95. Be a Man - Mulan 
  96. Shallow - A Star is Born (2018)
  97. (Everything I Do) I Do It For You - Robin Hood: Prince of Thieves
  98. The Power of Love - Back to the Future
  99. (I’m Gonna) Love Me Again - Rocketman
  100. 42nd Street - 42nd Street

 

Wednesday, July 16, 2025

Five Feet of Books

Around 1910, Charles Eliot, President of Harvard, came up with the ‘five-foot shelf of books’ – a series of volumes that would provide a relatively thorough education to a reader at home. Others have picked up the idea, such as Blackwell’s in Oxford, who have a list of some 70 volumes that comprise their five-foot shelf.

So I decided to do the same. 

I measured it, too, just to make sure (although the photo has some substitutions due to works that are in anthologies, or later swapped out in the final list). I didn’t repeat authors, either, for breadth of voices. Also, for the purposes of a physical stack, I only used books I do actually own – I have some favorites that aren’t on my shelves, and therefore not included. Lastly, while graphic novels are permitted, comic collections were ruled out (such as the Complete Calvin and Hobbes).

Here, then, are my 75 books for a ‘five-foot shelf’:

 

Alice’s Adventures in Wonderland – Lewis Carroll

All the King’s Men – Robert Penn Warren

Answer to Job – Carl Jung

The Apology – Plato

Ariel – Sylvia Plath

Atonement – Ian McEwan

Averno – Louise Gluck

Barabbas – Par Lagerkvist

Beloved – Toni Morrison

Between the World and Me – Ta-Nehisi Coates

Blindness – Jose Saramago

Blood Meridian – Cormac McCarthy

Brave New World – Aldous Huxley

Brideshead Revisited – Evelyn Waugh

A Brief History of Time – Stephen Hawking

Buying a Fishing Rod for My Grandfather – Gao Xingjian

The Cheese and the Worms – Carlo Ginzburg

Children of Gebelawi – Naguib Mahfouz

Citizen: An American Lyric – Claudia Rankine

Collected Fictions – Jorge Luis Borges

The Compleet Molesworth – Geoffrey Willans and Ronald Searle

The Dawn of Everything – David Graeber and David Wengrow

Death and the King’s Horseman – Wole Soyinka

Death Comes for the Archbishop – Willa Cather

Dialogues Concerning Natural Religion – David Hume

The Discoveries – Alan Lightman

Don Quixote – Miguel de Cervantes

Eichmann in Jerusalem – Hannah Arendt

Existentialism from Dostoevsky to Sartre – Walter Kaufman

Fleurs du Mal – Charles Baudelaire

The God of Small Things – Arundhati Roy

Guns, Germs, and Steel – Jared Diamond

Hamlet – William Shakespeare

The House of the Spirits – Isabel Allende

Human Acts – Han Kang

The Hunger Angel – Herta Muller

I Know Why the Caged Bird Sings – Maya Angelou

In Pursuit of the Unknown – Ian Stewart

The Invention of Tradition – Eric Hobsbawm and Terence Ranger

Invisible Cities – Italo Calvino

Jacques the Fatalist – Diderot

Kaddish for a Child Not Born – Imre Kertesz

Madame Bovary – Gustave Flaubert

Maus – Art Spiegelman

Memoirs of Hadrian – Margeurite Yourcenar

Middlemarch – George Eliot

Midnight’s Children – Salman Rushdie

The Misanthrope – Moliere

Moby Dick – Herman Melville

Mrs. Dalloway – Virginia Woolf

Native Son – Richard Wright

Never Let Me Go – Kazuo Ishiguro

Odyssey – Homer

Oedipus Rex – Sophocles

One Hundred Years of Solitude – Gabriel Garcia Marquez

Pale Fire – Vladimir Nabokov

Pedro Paramo – Juan Rulfo

The Periodic Table – Primo Levi

The Plague – Albert Camus

Platero and I – Juan Ramon Jimenez

Play It as It Lays – Joan Didion

A Portrait of the Artist as a Young Man – James Joyce

The Posthumous Memoirs of Bras Cubas – Machado de Assis

The Presentation of Self in Everyday Society – Erving Goffman

Romance of the Three Kingdoms – Luo Guanzhong

The Second Sex – Simone de Beauvoir

Season of Migration to the North – Tayeb Salih

Silent Spring – Rachel Carson

Sleepwalking Land – Mia Couto

Two-Part Prelude and Tintern Abbey – William Wordsworth

The Underground Railroad – Colson Whitehead

Voices from Chernobyl – Svetlana Alexievich

Watchmen – Alan Moore and David Gibbons

Why Societies Need Dissent – Cass Sunstein

Zen Mind, Beginner’s Mind – Shunryu Suzuki

Sunday, April 6, 2025

Does Western Civ Exist?

My students are taught a simple list that defines ‘civilization’ as distinct from ‘culture’. All seven of the following developments are requisite in order to qualify:

Art

Religion

Technology

So far, so easy. All cultures have various beliefs, make and practice art, and create man-made tools. The line between ‘tool’ and ‘technology’ is a little blurry, but carrying on:

Social Structure

Stable Food Supply

 These are harder – a stable food supply rules out hunter-gatherers, and insists on pastoralists or farmers. A social structure means different jobs and tasks – more common, perhaps, but it rules out the egalitarian societies. Finally there are the two big disqualifiers:

Government

Written Language

A nomadic group may have a government – a democratic council of elders overseen by a hereditary king, perhaps – or they may not. It is by no means required. ‘Government’ also seems to imply ‘laws’ and not just ‘norms’.

Written language is the real sticking point: Very few cultures developed writing. The Middle East and Egypt were first, then India and China. From these centers all Eurasian and African languages developed. In the Americas only the Maya and later Aztecs had written language. Australia and Polynesia had none.

This definition of seven traits, though, still leaves room for blurry boundaries. For example, the Indus Valley Civilization had writing, but seemingly no government. The Inca, on the flip side, had a massive empire, but no writing – the only nonliterate empire in world history.

 

Given these traits and the potential for blurriness, what is Western Civ – or what was it? People say ‘the West’ doesn’t exist in the era of globalization. In some ways that’s very true. Economically, the West is entangled with the world as a whole, in mind-boggling supply chains. These are made possible by modern technology, which increasingly seems global, too – computers may have been invented in the West, but their use is global. The power of the U.S. dollar influences the stock market in Japan, and USBs, created in Singapore, were once prevalent in European homes. The “developed world” or “first world” economies are hardly exclusive to the historic West. South Korea has a higher standard of living than Portugal. Disparities within the West abound: Chile outshines Bulgaria. New Zealand is more developed than Moldova.

          Politically, things get muddled again. NATO exists to be a counterweight to Russia – but is Russia not part of the West? Turkey, twenty years ago, was applying to be part of the E.U. And does Ukraine get to be a member of the E.U.? Religion gets mixed into this, as well. Europe was predominately Christian and Jewish, with Muslim enclaves. But since at least the 1500s, and perhaps as far back as the Crusades, the Islamic world has been seen as geographically and culturally distinct. Yet, the boundaries are blurry again – Islam is monotheistic, and based on the same faith as Christianity and Judaism. Greece and the Balkans were part of the Ottoman Empire well into the Industrial Revolution of the 1800s. Islam, meanwhile, stretches from Iraq to India to Indonesia – and is hugely popular throughout Africa. Atheism, too, complicates the picture, as much of the West is increasingly secular.

As for social structure, arts, stable food supply – these are clearly intertwined. Hunter-gatherers are a tiny percentage of the population, isolated in places like Papua New Guinea and the Amazon. Everyone else has bought into the global agricultural food chain. Everyone else has complex hierarchies of social strata and differentiation of jobs. The arts are globalized, too, as K-pop bands become popular the world over playing on Western – not traditional Korean –instruments. Bollywood movies are enjoyed in Europe, and American TV shows translated for Vietnamese audiences. Nigeria’s Fela Kuti is nominated for Ohio’s Rock and Roll Hall of Fame.

 

Based on all this complicated intermingling of the other traits, this leaves one final outpost: written language. And it’s here, I think, that some vestige of Western Civ still survives. There are three stages to this story. The first, previously mentioned, is the infrequency of developing writing. Outside of a few areas, most of the world did not develop written language. The Middle East and Egypt spread their language to Europe, geographically proximate to the region, but not further south into Africa – due to the impenetrability in the ancient world of the Sahara barrier. India’s first language went extinct, but a second replaced it, and China developed a script which became the basis for both Korean and Japanese. These Asian centers had their writings migrate and morph down into Southeast Asia, but, again, did not make the leap to Australia or Polynesia. The Mayan language didn’t move outside of their Central American region – despite being part of a continent-spanning trade and cultural network.

The second stage of our story is that of two very different waves of colonization. The reason why The West exists in the Americas, Australia, New Zealand, and South Africa, is because those European populations came to stay and settle, and to replace the indigenous cultures they encountered. In those areas, settled between the late 14- and 1700s, the languages of the West came to be the languages of the region. English, Spanish, Portuguese, Dutch, Afrikaans, French. The parts of the globe where these are the *primary* spoken languages, are still seen as Western. From Argentina to Jamaica to Quebec – the Americas became Westernized as they spoke the language, and thus inherited the literature, history, and culture that comes with written transmission.

            The later wave of colonization, which covered the Middle East, South Asia, and most of Africa, did not have this linguistic force. The colonizers remained a veneer atop the existing civilizations and cultures. English, French, and Dutch may have become popular secondary languages – but not what people learned and spoke at home. As opposed to, say, Brazil, which, in this period of 19th century colonization, was well a part of Portuguese culture, having spoken the language for centuries. Angola and Mozambique – Portuguese colonies that gained 20th century independence – each have populations where far less than half the people speak the European colonizer’s language at all.

Most countries which got rid of colonization in the 20th century simply did not stick to their colonial language. Many people in Madagascar, Laos, or Syria may speak French, but the majority do not. Compare that with Haiti, in which a French Creole is the norm. There are exceptions, but usually these are very small and or isolated nations where a European language will help connect them to the world. Fiji is a nice example, Singapore another. Even though they are culturally very disparate from Europe, both maintain French and English, respectively, as their primary languages.

Very simply: for cultural purposes, language helped define the boundaries of Western Civilization from those areas that merely experienced colonial occupation.

 

The third, and final, stage explaining why Western Civ may still exist due to language, is literacy and population. In 1900 there were around 1.2 billion people in the world – and only 12-15% were literate. By 1996 there were 6 billion people, and the literacy rate had reversed – only around 15% were illiterate.

This is the sneaky truth we’ve been dodging: Even “literate” civilizations, like China, India, and Europe, actually boasted very, very few people who could read and write. The Mayan language never spread north or south, because only a vanishingly small number of nobles and priests could write it – and they saved it only for the most important stone inscriptions. Public schooling and mass literacy are very recent concepts, historically, and only enforced in a post-WWII world. In 1952 three-quarters of the U.S. Senate didn’t have a college degree, and nor did the President, Harry S Truman. But Truman was the last to hold that distinction, and today only one Senator in 2025 doesn’t have a college degree (from Oklahoma).

Literacy can, of course, mean just simple writing and reading, as the European monks did in their medieval cloisters: rote recitations and transcription of volumes. But literacy with a cultural impact – poetry, plays, novels – was also hampered in the 20th century, thanks to political problems. China was the largest country on earth, but under Mao and subsequent rulers there was little to no free speech. Indonesia, the world’s fourth-largest nation, had two lengthy dictatorships repress their freedom of expression from the end of Dutch colonization until the early 21st century. Sub-Saharan Africa teems with examples: The first half of the century they were under colonial oppression, then dictators took control – and in some places are still in charge. In such circumstances creating a vibrant literary tradition will be nearly impossible. The Middle East and Central Asia (and the rest of the formerly Soviet-controlled bloc) suffered similar hampering due to political forces. By around the mid-20th century most of the world knew how to read and write – but huge swaths could not do so freely or safely. Obviously places like China, Russia, and Afghanistan are all examples of places still without free expression in 2025.

 

So, when we put all the pieces together, the situation looks something like this: A handful of places developed literacy, and in the first wave of colonization one of those places, Europe, spread that literacy, culture, government (and the rest) to a broader West. By the dawn of the 20th century most of the world, including the West, was illiterate, but that changed by the century’s end. The stifling effects of colonization and dictatorship also lifted – although only so far. As we’ve become more globalized economically and politically, the West still persists through the linguistic inheritance and the culture that goes with it.

 

Now this is not to say there isn’t sharing. In the Philippines Christianity – a Western hallmark – has become the primary faith. 7.2 million Jews live in Israel, and 7.5 million in the United States. Japan makes movies based on Shakespeare’s plays, and the English, in turn, enjoy eating sushi, teriyaki, and ramen.

That said, regarding the sharing of language and literary culture, there is the major hang-up of translation. Nowadays, in visual media, we consider translation normal. If Disney is going to make a movie for millions of dollars – from Star Wars to animated features to the MCU – they will ensure it is translated into scores of languages, to maximize distribution and profit. Translating the cultural heritage of other countries, though, isn’t so easy. India’s works date back three thousand years at least – and none were translated into English until 1785. China has a literary history going back three thousand years as well. The first work translated to English was compiled in 1841. Mayan texts only go back 1,000 years – but in English we finally got good translations a mere 30 years ago.

Cultural literacy is bound geographically, but, as I hope is now clear, also linguistically. A teacher from America working with students in Malaysia probably sees themselves as a visitor – despite living in Kuala Lumpur, they are still a ‘Westerner’. At least, that is, depending on their heritage – and the assumption they will probably go home after. As many have noted, first- and second-generation immigrants often struggle with their identity for this very reason. An Egyptian woman whose parents moved from Egypt to Canada, may try to erase their “Egyptianness”, may embrace it all the more, or may try to balance it with their “Canadianness.” Indigenous identities in Western societies can be equally complex, as can ethnic and racial descriptors.

So, while you can eat Mexican food in Cambodia, and Ethiopian cuisine in Australia, accessing the literary culture of these communities may be harder to achieve than ordering a tamale or some injera. Those literary communities are still bounded by linguistic heritage.

 

Most Americans, to take an example, are ignorant of the rich history, built over millennia, of Indian philosophy, or even a basic knowledge of the subcontinent’s main sacred texts of Hinduism and Buddhism – despite being worshipped by some 1.5 billion people. Japan’s famous Noh dramas are likely unknown by Greek audiences. The West African epics, like the Sunjata and Mwindo, are not commonplace in Colombia, I suspect. This all may suggest that we are still divided into linguistic civilizational blocs.

Notably, though, these are all examples of Western ignorance. In nations where the colonizers brought their culture, does the same apply? Do Nigerians know King Arthur? Are Malaysians fond of Robin Hood? Does Jordan still teach its pupils Chaucer?

Increasingly, no.

Those countries which had only the veneer of Western colonization are typically not very keen on preserving and transmitting the culture of their former oppressors. A surge of post-colonial emphasis on a pre-colonial identity is the norm. As such, the literary heritages retreat to their former, more geographically-bound, origins. The written word – and the culture it transmits – is keeping civilizational identities alive. Whether that is a good or bad thing is somewhat a matter of perspective.

That said, I am fairly certain that, unless you dedicate your entire life to studying civilizational heritages outside your own, you will remain woefully ignorant of the complexities and depth these legacies have to offer. Which leaves you with two options: Skim a little of each, and get a haphazard taste of their cultures and identities, or, ignore them all together, and have no real sense of their identity. But this latter option (I suspect the option most take) comes at your own peril. Robert McNamara, to take a famous example, thought Vietnam was going to be a puppet of China, due to his view of Ho Chi Minh through a Cold War lens. He didn’t know that Vietnam had historically loathed China for millennia – and would never follow their lead. McNamara's lack of understanding, which he later admitted, cost thousands of lives.

 

Will Western Civ – in some form, with all its complexities – continue? I suspect it will, at least for a short time. Two generations from now, this may not be the case. There are demographic concerns that will affect its continuation. Most of the economically developed world is undergoing a population constriction, which will only make their cultural heritage more fragile. Each generation is tasked with choosing what will be passed down. For three centuries, in the Protestant English-speaking world, from London to San Francisco, Pilgrim’s Progress was an essential text, transmitted faithfully as vital to their identity. That is no longer the case. The bulk of Classical Greek and Roman writings, once the hallmark of a university education in Oxford, Bologna, or the Sorbonne, is still, as then, read by a tiny minority off specialists – literacy and education have increased, but the proliferation of voices has allowed us to study and read people from our own time.

 

Does Western Civ exist? Yes, for now – and it did for an extended period. But whether it survives as populations drop below the replacement rate, as their own past is increasingly not read and transmitted, and the heritages of others are made more available – that seems, increasingly, unlikely.

Saturday, March 1, 2025

NaNoReMo 2025

Yes, once again, it's time for NaNoReMo: National Novel Reading Month. First popularized by John Wiswell, the idea is that you take March to tackle a novel, perhaps a classic that you've meant to read, but never gotten around to. You set aside excuses, and read the novel by the end of March.

Zora Neale Hurston is an author I've always meant to get to, but kept putting off. So, for my NaNoReMo, I'm going to tackle Their Eyes Were Watching God. And it will be a challenge - the book is written in dialect, which I always find challenging to read.

Happy reading!

Friday, February 28, 2025

100 Greatest Books of All Time?

So, after nearly 25 years, I finished reading the 100 Greatest Books of All Time - the Bokklubben World Library. It's a grand, and good, list. From Gilgamesh to the late 1990s, and all over the world - it's a broad, and carefully constructed "world library". You could do worse, if looking for a way to spend your time. 

That said, some took some real tracking down. The Masnavi, by Rumi, is not extant in an English edition. I read as much as I could (from the Oxford publications). "Devil to Pay in the Backlands" is a poor translation of "Grande Sertao: Veredas" and was only printed in English once, in the 50s. It was not easy to get a hold of. So proceed with caution.

Here's my ranking, then, which is fairly personal, of the works included:

 

Essential

 

Don Quixote

Hamlet

Oedipus Rex

The Odyssey

Middlemarch

Collected Fiction – Borges

Children of Gebelawi

Memoirs of Hadrian

Mrs. Dalloway

The Brothers Karamazov

The Divine Comedy

Beloved

Blindness

The Tin Drum

Midnight’s Children

Buddenbrooks

One Hundred Years of Solitude

Madame Bovary

Jacques the Fatalist

Pippi Longstocking

 

Great Reads

 

Gilgamesh

Death of Ivan Ilych

Iliad

Ramayana

Moby Dick

Pedro Paramo

Devil to Pay in the Backlands

Pride and Prejudice

Leaves of Grass

To the Lighthouse

Hunger

Season of Migration to the North

Ulysses

Anna Karenina

1984

Mahabharata

The Stranger

Journey to the End of the Night

Thousand and One Nights

Gargantua and Pantagruel

Lolita

The Old Man and the Sea

Love in the Time of Cholera

Selected Stories – Chekhov

Adventures of Huckleberry Finn

The Book of Disquiet

Complete Poems – Celan

The Red and the Black

A Sentimental Education

Fairy Tales and Stories – Anderson

History  Morante

Complete Tales – Poe

Old Goirot

Dead Souls

 

Good Books

 

King Lear

Canterbury Tales

Aeneid

War and Peace

Gulliver’s Travels

Orchard – Saadi

Independent People

Njal’s Saga

Complete Stories – Kafka

Faust

Othello

Remembrance of Things Past

Medea

The Possessed

The Idiot

The Man Without Qualities

Essays – Montaigne

The Sound of the Mountain

Metamorphoses

Invisible Man

The Golden Notebook

Berlin Alexanderplatz

Recognition of Shakuntala

Trilogy – Beckett

Great Expectations

Nostromo

Things Fall Apart

Gypsy Ballads

Decameron

Poems – Leopardi

 

Over-rated

 

Diary of a Madman  Lu Xun

The Magic Mountain

The Book of Job

A Doll’s House

The Trial

Crime and Punishment

Tristram Shandy

Confessions of Zeno

Wuthering Heights

The Sound and the Fury

 

Why???

 

Sons and Lovers

The Tale of Genji

The Castle

Masnavi

Absalom, Absalom

Zorba the Greek

 

So. 20 Amazing, 34 Great, and 30 Good – 84 that I’d recommend with virtually no reservation. That’s a really solid list. The bottom 16 are not very good, but only the final two are irredeemable (I truly can’t fathom how they got on there).

Saturday, February 15, 2025

2025 Oscar-Nominated Animated Shorts

After last year’s depression parade, it actually was a bit nervous going to this year’s screening. Fortunately, there was far less trauma, and far more humor. Indeed, there were no bad options, and I won’t mind if any of them wins.

Since the five contestants were all lengthy, it also meant no ‘highly commended’ features at the end. In order of appearance, then:

 

Magic Candies

 

This Japanese short had gorgeous world-building and backgrounds. The lonely boy who gets magic candies that help him gain confidence, is sweet. A relatively safe choice, there were some good moments – but the overall arc felt off.

 

In the Shadow of the Cypress

 

An Iranian film gets this year’s coveted ‘parental trauma’ award! Yes, the Oscars seem to always nominate at least one feature (sometimes more) regarding parental abuse, dementia, death, PTSD, or some other trauma and how it affects children. Here a father is violent and oppressive and his daughter wants to get away, but is stopped by having a burden she needs to take car of : a beached whale. Symbolism!

 

Yuck!

 

A funny and sweet French offering, tweens make fun of adults kissing, but then two of them want to kiss. Most family-friendly of the offerings, and not undeserving.

 

Wander to Wonder

 

A very dark sense of humor infuses this tale of three mysterious little people who have to survive when the producer of their TV show dies. With elements of ‘Don’t Hug Me, I’m Scared,’ but without the same level of horror, this may be my favorite choice, in terms of novelty and execution.

 

Beautiful Men

 

Three guy friends want hair transplants, but due to a mistake only one appointment is scheduled. The premise of middle-aged male loneliness doesn’t do much for me, and the story didn’t quite work. Oddly the production was from the same folks as the previous film, including much of the same cast.

 

Preferred Ranking:

Wander to Wonder

Magic Candies

Yuck!

In the Shadow of the Cypress

Beautiful Men